As an icon of not just music but popular culture in general, when you mention Prince to anyone who isn’t necessarily a fan, they will more than likely conjure up a very specific image of him in their mind. It will relate to a particular period, and be linked to a particular color.
My Name is Prince Exhibition
U ain’t ready 4 me
Since April 21st 2016, I have often felt the need to write something about his death, and what it meant for the many hardcore fans around the world. But very soon I realised it was very sensitive material to me: the superstar, the music genius living in an ivory tower for decades… was actually someone I felt very, very close to me.
Housequake
“It’s not what Prince would have wanted”
3121: the essence of Prince in the XXI century
10 years ago I was a happy camper in a legendary forum for Prince fans, Housequake.com. I remember the excitation surrounding the release of the new album Prince was going to release in 2006, entitled 3121. In that occasion, all the expectations were fulfilled (at least for me), and after spending a few days listening attentively to 3121, I wrote a review.
Can’t nobody do it like Prince do
The late careers of many music superstars share certain features: compilations of hits (sometimes in new versions); albums in collaboration with other musicians, often selected from younger generations; tours every few years where they play pretty much the same old hits all nights; and releases of remastered albums from their heyday, including outtakes, to please old fans and re-sell old material.
A pause in Prince’s way back home
The latest identity game of Prince
In the early 2010s, Prince had spent a fairly long time performing live with a band composed of a series of musicians which were well known, both for him and for his public. The inner core included Morris Hayes on keyboards, Cora Coleman & Josh Dunham on drums and bass, with Cassandra O’Neil on keyboards, and the voices of Shelby J, Liv Warfield and Elisa Dease.